Thursday, June 20, 2013
“Everyone. Everywhere.” A Mural Recognizing Personhood Before the Law
Everyone. Everywhere. revolves around the idea embodied in the Universal Declaration of Human Rights, Article 6, which states:
“Everyone
has the right to recognition everywhere as a person before the law”.
The message is a strong one: recognizing
everyone as a person before the law. The connection we hope to make between
this concept and the real lives of our neighbours at Creative Village will
shine a light and focus others in our community and the broader GTA to become
more aware of ALL the people living in our community and how art can facilitate
real change in our society.”
The site for Everyone. Everywhere. is the 100 ft x 3 ft. bridge on
the South East side of Islington Ave, just south of Dundas Street West, in
Etobicoke.
Please join us at a community consultation:
Monday July 29, 2013
7-9pm
at Arts Etobicoke
4893A Dundas Street West
Contact info:
Shira Spector, Arts Etobicoke Programs and Outreach
Coordinator
Ruth Cumberbatch, Arts Etobicoke Fundraising and
Communications Manager
416 622 8731
Friday, June 7, 2013
RDP Selected for the Church Street Murals Public Art Project!
WE'RE HONOURED TO BE AMONGST THE 12 artist teams selected FOR THE CHURCH STREET MURALS PROJECTS, A TORONTO WORLD PRIDE 2014 LEGACY PROJECT!!!
Concept and Treatment
RDP has created 7 large-scale, socially engaged public artworks in Toronto; all mosaic/mixed media mural works incorporating mid-relief and low-relief. Mosaic, as a medium, lends itself to homage, to tribute – historically, mosaic was used to create portraits of icons – ‘icon’ originally referred, primarily, to religious figures, but the term is more broadly understood today to mean representative of something of greater significance, a symbol – a figure that embodies certain qualities, spirit, or a movement.
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sketch (ink and watercolour on vellum) |
It’s our intention to celebrate change
makers in our LGBTTI2QQ communities seldom recognized or
visually represented. The work we are proposing is in the spirit of homage and emblematic in nature:
open to multiple interpretations, and not prescriptive. Our concept is
to build a figurative mosaic – one single iconic, larger than life figure that
we’ve come to call “Ella” – a bold, strong, and empowered woman, sheltered
by a red umbrella. Emboldened by a will to effect change, Ella is a force to be
reckoned with. The red umbrella, a symbol for sex workers' rights and solidarity around the world, is emblematic of shelter from prohibitionist laws that sanction discrimination and violence
against sex workers.
The vertically oriented artwork will be
12’ in height, and constructed on a marine plywood substrate. We’ll use a combination of tool and grinder
cut, and manually shaped pieces in order to produce rich pattern, line work,
and movement. Materials will include frost resistant glazed ceramic, porcelain,
glass, and stone. We’ll build in the direct method, working offsite. The two to
three panels will then be installed directly onto the installation site, where
we’ll spend one week doing finishing bridge and grout work across sections to
produce a seamless piece. The (painted) monochromatic wall will background the low-relief
mosaic mural. Use of negative space will support and extend Ella’s iconic
nature.
Our artistic team will include lead
visual Anna Camilleri (artistic director, designer, and lead builder), co-lead
artist Tristan R. Whiston (production director and builder), Katie Yealland
(installation director and builder) and Chantelle Gobeil (builder).
SPECIAL THANKS TO
Co-Curators Syrus Marcus Ware and James Fowler
City Councillor Kristyn Wong-Tam
Selection Committee Members Remy Huberdeau, Elizabeth Sweeney, and Francisco Alvarez
LGBTTIQQ2S community members who shared their stories and knowledge
Thursday, March 28, 2013
WRTN/SPKN: a creative writing and zine making project
WRTN/SPKN is a creative writing and zine making project at the Triangle Prgram, Canada’s only high school for LGBT (queer and trans) spectrum students.
For several
weeks, we explored creative writing (particularly memoir) through practices
including free association, “cut-up,” word strings, found poetry, and
collaborative writing. We experimented with voice and form, and the
relationship between the written and spoken, and visually explored word. Throughout
our creative process, students were encouraged to claim their place as
storytellers. I provided guidance for the work being produced, but students’
areas of interest (themes and motifs) led the project. Our work together
culminated in the production and presentation of individual zines. --Anna Camilleri
Here's a Vimeo link for a video featuring work produced by Triangle students during this interdisciplinary creative writing project:
Sunday, March 24, 2013
RDP Shortlisted for the Church Street Murals Project!
We're honoured to be amongst the shortlisted artists for the Church Street Murals Projects, a Toronto World Pride 2014 Legacy Project. Finalists will be announced on April 8, 2013.
http://churchstreetmurals.com/?page_id=20We'd like to thank City Councillor Kristyn Wong-Tam, Co-Curators Syrus Marcus Ware and James Fowler, and selection committee members Remy Huberdeau, Elizabeth Sweeney, and Francisco Alvarez.
The Church Street Murals Project will see 10-12 new murals created between May-September 2013 in the Church-Wellesley village. To learn more visit:
Monday, October 29, 2012
Gerrard Art Project Unveils on November 9, 2012 | 5pm
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Saturday, October 13, 2012
The Legacy Project: A Community Storytelling
Since 2006, Red Dress Productions has partnered with Bleecker Co-op and more than 300 co-op member contributors on the creation of three large-scale community-engaged public artworks. The most recent work, Dwelling, emerged from the Bleecker Co-op Memorial Project that celebrates and memorializes founding co-op manager and human rights activist Diane Frankling.
Dwelling represents an evolution of form into visual interdisciplinarity. Beyond the 2-dimensional mosaic mural that had been originally conceived, the 14’ x 4’ piece is an architectural mixed media work that includes wood construction; custom-colour fabricated glass, and clay fabricated tiles (using a cartoon and slab technique), paint, and mosaic.
The artistic and
community accomplishments of Bleecker Co-op members reflects a community of practice
that has been cultivated over time. While Bleecker Co-op is attuned to “basic”
needs (safe and affordable housing), it also recognizes that people need beauty
and art; a sense of place and belonging that is about more than our
dwellings. We need bread and roses – equity and beauty; safe
places to explore our (sometimes) dangerous realities; and opportunities to
pursue our creative and aesthetic capacities.
Dwelling, detail. 2012.
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Dwelling, detail. 2012.
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Some important
articulations and questions emerged during the conceptual development
phase of the Bleecker Co-op Memorial Project:
phase of the Bleecker Co-op Memorial Project:
How can we reflect our legacy of artistic and community
collaboration beyond the Bleecker
Street Co-operative neighbourhood?
Street Co-operative neighbourhood?
What is the impact of community engaged artistic collaboration
at Bleecker Co-op?
What does it mean to be reflected in the Bleecker Street
Co-operative neighbourhood when the neighbourhood is rapidly changing?
Who do we create for (past, present, future)? Who do we
remember? How do we want to be remembered?
Beyond materiality (the “product” that is made), what are
ephemeral ripples of collaborative art? What does it mean to contribute (at the
time of contribution), and what does it mean afterward?
Do we come to know ourselves and our communities differently
through collaborative artistic practices, and if so, how?
What stories would we like to tell about artistic and community
collaboration? Why does they matter?
How can we make room for more voices?
What are we cultivating beyond shared artistic experience?
The Legacy Project: A Community Storytelling
is the creative exploration of these questions and articulations through a series of 12 art workshops, and
oral history research (interviews) with 20 to 30 contributors. It’s our hope
that this work will lead us to a vision (form and content) for the production phase
of The Legacy
Project: A Community Storytelling.
Thursday, October 4, 2012
Riverdale Hub
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commission, Riverdale Hub logo-in-progress made by Anna Camilleri 1326 Gerrard Street East, Toronto Over the past couple months, I've had the pleasure of building a ceramic and glass mosaic for the Riverdale Hub, as part of a community revitalization strategy for the Gerrard Bazaar/Little India neighbourhood.
As a point of interest, the materials I work with begin as standard tiles. I cut individual tiles down into "strips" using a wet saw. Each piece of ceramic or glass is then shaped with manual cutters and files. I prefer working with commercial tile because the variation in tile depth and materials -- from porcelain to glass, and stone to glazed ceramic -- enables me to incorporate high relief, and blend texture and finishes.
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mural artists work |
ERA has been consulting the Riverdale Hub on how to achieve community revitalization objectives through strategic analysis, administration, communication, and design, and local artists JAH and Adrian Hayles have created a series of large murals for the block.
Stop by the Riverdale Hub at 1326 Gerrard Street East to watch the art making unfold and transform this culturally significant neighbourhood . . . and stay tuned for the unveiling party!
Thanks to the StreetARToronto (StART) program, which has made this project possible.
--Anna Camilleri
--Anna Camilleri
Wednesday, August 1, 2012
trace opens August 24, 2012
MIDDLE C by TRISTAN R. WHISTON
Middle C was produced by Carma Jolly and Tristan R. Whiston for CBC Radio's Outfront in 2007. It won the Premios Ondas award for International Radio and a silver medal at the New York Festivals.
Tristan R. Whiston first performed as a solo soprano at the age of six. With that raw talent, years of hard work led to an accomplished singing career. But Tristan has decided to give up the most precious thing a singer has — the voice. You see, something was never quite right. Tristan always wanted to be a man. Now that dream is about to come true as Tristan embarks upon the process of gender reassignment. In a year’s worth of intimate audio diaries, we hear milestones like Tristan’s first shave. But the most striking thing is the transformation of Tristan’s singing voice. Tristan starts out as a soprano whose voice soars on the high notes. As the testosterone takes effect in Tristan’s body, that sublime voice is ripped to shreds and has to be completely recast - just like his identity.
Follow the link to listen to Middle C:
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